Nineteen years ago today, Harry Potter and the Philosopher’s (Sorcerer’s) Stone was published – and talk about a fast path to fame. In barely ten years, the series went from small potatoes to worldwide obsession; J. K. Rowling went from nobody (it was her first book!) to a household name. And, as with every hit new book, a movie adaptation is inevitable.

When the first film was made in 2001, the book series was only half-way through. The filmmakers had enough foresight to know that this series would only get bigger and bigger; so they didn’t cut corners when it came to music – no less than the legendary John Williams would score the movie! While perhaps not his move amazing composition, it still carries his tell-tale marks: a memorable, melodic main theme (heard at the beginning of this video); repetitive song forms; contrasting orchestration to help define sections; an assortment of harmonic and orchestration “tricks” that you can hear in any of his blockbuster films (for example, at 0:39, the impression of “flying” given by buzzing strings can also be found in E.T., or at 1:36, it is remarkable similar to the X-Wing “fanfare” music in Star Wars).

Hats off to Harry Potter and to John Williams!

You’ve heard it before: art imitates life imitates art. Is it possible to make something beautiful out of the boring, the mundane, the commonplace, or even the annoying? If the answer were “no”, then I wouldn’t be writing this post, of course.

Leave it to Leroy Anderson to turn cubicle life into a snappy little number like this!

It might sound like he has a high WPM, but here’s what his music looks like:

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akghaslfkdjhalskjghdjaldjgh
alifjdlaivnzlzienvnclaidj
dnotuhnflsifnsocinfjigldshguf

Today Christians celebrate the Epiphany, when the Wise Men gave their gifts to Jesus. It’s the official close of the Christmas season, and a principal feast of the church. There are a number of carols devoted to the Magi – namely, “We Three Kings” and “The First Nowell.” But I thought we’d listen to something different as we move away from the big holidays.

Musically speaking, Albert Ketèlbey is the English predecessor of Leroy Anderson. His importance is underplayed because his most popular compositions tend to fall into the category of “light” music; however, his sound and style permeate English music, especially of film, to this day. His best-loved works painted exotic pictures for English listeners, and were a way for the average joe and jane to travel to distant lands through their ears.

So, since the Magi came from Persia, here is a delightful little piece, “In a Persian Market.”