Continuing with this week’s anvil theme (see here and here), today I give you Alexander Moslov. Who said nothing good ever came out of the USSR?

The Iron Foundry was written shortly after the 1917 Russian Revolution, and is one of the last pieces in the brief futurist movement which swept through Europe around World War I. In short: it’s the music of industrial progress! Assembly lines, machines, manufacturing, factories.

Although it’s hard to hear, the anvil solo comes in at 2:30. NEEDS MORE ANVIL!!!!!

Yesterday, a Gallup poll announced that 13% of Americans smoke Marijuana.

Think of music and drugs, and you probably think of Bob Marley, the Beatles, Snoop Dogg, Janis Joplin … the list goes on and on – drug use is so commonplace among the famous that it’s simply accepted as a natural part of being an star entertainer. Of course, there are also the many tragic deaths due to overdose …

But before the turbulent 1960’s, were drugs and music a regular mixer? Is there any drug-inspired Art Music from yesteryear?

The first thing that comes to mind are Scriabin‘s Poem of Ecstasy, Glière‘s Red Poppy, Debussy‘s Evaporated Soul, and for those of you consider caffeine to be a drug, Bach‘s Coffee Cantata. I’m joking about these, of course. But I’m not joking about Berlioz’s March to the Scaffold, which the composer admitted was an opium trip. And then there’s this largely unknown piece by Sergei Lyapunov, a tone poem called Hashish.

We’ve all done it – you wake up in the middle of the night with the greatest idea to have ever been had by anyone ever. You write it down on a scrap of paper, and go back to sleep. The next morning, you wake up, ready to start on your great idea. But first, some coffee. And you know, a good cup of coffee is best washed down with a cheese danish. After breakfast, well, you need to have a shower to really be awake. Then you sit down at your computer to start planning your project. Check your emails. Facebook. Watch some cat videos to get you in the mood. Your mother calls (interrupting your favorite video, no less!) Now it’s time for lunch.

You get the idea.

Modest Mussorgsky completed only one opera, Boris Godunov. However, he is best known for his Pictures at an Exhibition, and his musical nightmare A Night on Bald Mountain. It is likely you’ve heard these two great pieces, but here’s the thing: the version you know wasn’t actually written by Mussorgsky. Both were originally piano compositions that were later orchestrated by Ravel and Rimsky-Korsakov respectively. And it doesn’t end there. When Mussorgsky died, left no fewer than NINE unfinished opera projects. Thankfully, his friends (a group of composers, known as the Mighty Handful, who were forging a distinct Russian musical style) completed some of the works he left undone. One of those is Khovanshchina, an opera which was finished again by Rimsky-Korsakov.

Mussorgsky’s marvelous sound is crafted from eastern European folk songs and scales against a rich modal accompaniment. It’s also important to remember that much of the magic of his music comes from having great orchestrators who finished the job for him.