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Happy birthday Albert Einstein! To honor you, how about we listen to a 5-hour opera with no plot and no intermissions?

Minimalist composer Philip Glass‘ 1976 opera, Einstein on the Beach indeed doesn’t have an actual plot, but instead presents a repetitive music with counting numbers and repeated spoken phrases. You could say that it musically presents the inner clockwork of the mind of a genius – pondering and calculating things that most people can’t even begin to understand.

Having played a limited number of minimalist pieces myself, I can say that this opera requires the very best musicians. The concentration of mind and strength of muscle required is enough to give most players some PTSD.

Italy held a monopoly on opera until the 19th century, when Germany and France entered the arena. Mozart got the ball rolling, Weber made it big, and Wagner perfected it. In between Weber and Wagner was Heinrich Marschner. His opera, Der Vampyr, was cool way before the likes of Buffy or Twilight, and still remains cooler than Tom Cruise.

Long before things like Castlevania made us associate a certain musical style with Vampires (specifically, baroque harpsichord concerti in minor keys) Marschner was starting from scratch, and became known for his ability to write operatic horror.

The Pirates of Penzance is a comic opera by Gilbert & Sullivan. In this number, the Nanny and Pirate King explain to Frederic the bizarre circumstances that bind him to a life a piracy.

This 1983 movie version of the Pirates of Penzance is like a bang hangover from the 1970s. However, it captures the spirit perfectly, and I can’t deny that I kind of like the electronic orchestra.