Deeply moving music sometimes tells a harrowing narrative, has a long backstory, speaks from the depths of depression, or is woven with deep philosophical thought. But sometimes the best stuff requires no explanation – like the haunting Valse Triste. Thank you, Jean Sibelius. Why speak words when you can communicate like this?

Labor Day has come and gone. This is a time of great celebration to those of us with school-aged kids … because we can finally be rid of them again. School’s in!

Johannes Brahms was awarded an honorary doctorate degree when he was 47; as a “thank-you”, he composed the Academic Festival Overture. By using a number of popular college songs, Brahms captures all the important elements of university learning – beer, wine, and hazing rituals.

“Go to heaven for the climate, hell for the company.” – Mark Twain

If you need proof that the second half of this statement is true, look no further! The overture to Jacques Offenbach‘s first opera, Orpheus in the Underworld, is all the proof you’ll need.

The opera is based on the Greek myth where Orpheus travels to hades to bring back his dead wife (spoiler alert: Orpheus is a dolt and screws the whole thing up). Now, when Mozart drags us to hell, it’s genuinely frightening. When Wagner descends to the underworld, the music is sinister and fiery. But ignore those examples. Take the big journey down with Offenbach, and you get … the CAN CAN!