Generally speaking, people dislike high-pitches (sirens, alarms, etc.), but really like low pitches (hence, the car that drives down your street at 2am with booming bass speakers.)

Ottorino Respighi wrote a series of pieces based on pine trees around Rome (it sounds strange, but it’s true.) The second movement of this piece depicts pines near a lonely catacomb. The descent into the deep, dark, subterranean grave is musically painted with some deep rumbling bass – provided by the bass instruments, of course, but especially by the lowest pipes of the organ.

Because, you know, I’m all about that bass …