Every Friday, there’s a special hour in my house. We call it “gin o’clock.”

Gin o’clock is a special time, and calls for special music. Nothing too serious, nothing too loud, too fast, too slow, too anything. I think today’s gin o’clock song du jour will be Leroy Anderson‘s swanky Serenata.

Anderson’s name isn’t huge in music textbooks, which tend to favor the progressive and experimental composers of the 20th century. He wrote for many genres, but is best known for his short, light orchestral pieces which are truly all-purpose – they work as background music, you can dance to them, drink to them, or just listen. How about a little more respect for one of America’s greatest?

It’s Wednesday. Hump day. Humps. Camels have humps. Camels. Camels make up a caravan.

Yup folks, that’s all I have for you today. But fear not, because even if the writing is poor, the music is good. Caravan is a 1936 jazz standard written by Puerto Rican composer Juan Tizol, who was a trombonist in Duke Ellington‘s orchestra. By the 1930’s, jazz had become a mainstream and permanent part of the American cultural landscape. Tizol’s influence sparked an interest in Latin-American musical styles and opened new doors for American jazz.

The Unanswered Question is probably Charles Ives‘ most famous composition. It’s equally a philosophical statement as it is a work of art. While that may sound simple, I think it’s actually quite a compositional feat. Ives has written a remarkably transparent composition that clearly conveys his philosophical idea. Compare this piece to Strauss‘ Also Sprach Zarathustra, written only a decade before, which merely paints the mood of Nietzsche‘s book, and fails to put forth a logical argument or statement of any kind. Meanwhile, Ives’ work is perfectly clear.***

[SPOILER ALERT – skip this paragraph and listen to the piece if you want to hear it for yourself. If you want some hints, read on.] Three instrumental voices create the musical landscape. The strings, representing eternity, play slow, beautiful music. The lone trumpet asks its question: “what is the meaning of existence?” Dissonant winds provide the answer, which does not satisfy. The question is asked again and again, and the answer becomes more complicated, but never satisfactory. In the end, two things remain: the question, and eternity.

*** That is to say, I believe the meaning of the music is clear as long as the audience knows the title of the piece. If a person heard this work without knowing the title, there is a chance s/he might understand the deeper meaning, but it’s certainly less likely.