April showers bring …

April 30, 2016 at 10:00 am

Rainbows! (did you expect something else?)

American composer Christopher Theofanidis‘ best known work is Rainbow Body. Its title comes from Buddhism, when an enlightened soul becomes one with the universe at death.

What I find important about this piece (as well as much of Michael Daugherty‘s works) is its blatant dismissal of the Art Musical styles that dominated the latter half of the 20th century. Gone are the games of playing with dice to write music, number grids and matrixes, electronic beeps and farts; these pseudo-intellectual approaches to composition had slowly eroded away the Art Music audience by the late 70’s.

Rainbow Body shows a real attempt to reconnect with audiences who had become suspicious of modern music (it’s Copland-esque at times), but also has some neat effects which mark it as new and forward looking.

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April’s almost over …

April 28, 2016 at 10:30 am

… and spring is now in full season.

The saxophone is one of those instruments that people seem to either love or hate. It was invented to be the lovechild of the trumpet and clarinet – capable of the loud, bright tones of the brass as well as the soft, warm timbre of the clarinet. As it became more popular, it found its way into a number of orchestral compositions (most famously, Bolero & Pictures at an Exhibition), but its popularity exploded in the jazz idiom. Here was an instrument that could outplay the trumpet in speed and range, while being as expressive and sensual as a clarinet.

Here’s the king of big bands, Count Basie and his Orchestra, playing a number of usher out the month – April in Paris.

I just love the part at 0:21, when the sax chorus plays with that wobbly vibrato – no other instrument could get away with that!

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Simple Gifts

April 12, 2016 at 11:00 am

American composer Aaron Copland‘s best-known piece (surpassing even Fanfare for the Common Man) is a set of variations on the Shaker tune “Simple Gifts,” found in his ballet Appalachian Spring.

The ballet portrays the daily life of American pioneers in Pennsylvania; while it doesn’t have much of a specific plot, it covers themes of love, religion, dance. Copland’s use of “Simple Gifts” is much more than just setting a lovely tune – the words here express our modern fascination with the life of our ancestors. Theirs was certainly much more difficult, but perhaps free from the complexities that we face.

The Shakers are a truly fascinating religious group, and I recommend reading about them. They have dwindled down to three full members and one initiate, but are fully intent on continuing their work and their beliefs. Their worship included dance, and many of their hymns, like “Simple Gifts”, include not-so-hidden dance indications (turn!)

‘Tis the gift to be simple, ’tis the gift to be free, ’tis the gift to come down where we ought to be,
and when we find ourselves in the place just right, ’twill be in the valley of love and delight.
When true simplicity is gained, to bow and to bend we shan’t be ashamed,
to turn, turn will be our delight, till by turning, turning we come ’round right.
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