And so here is your obligatory summer piece, titled (what else) “Summer”, by Antonio Vivaldi.

Vivaldi wrote 500 concertos, though musicians will say that he actually wrote the same concerto 500 times. Most of these concertos are given really interesting titles – for example, “Violin Concerto in D” or “Violin Concerto in E” or maybe even “Violin Concerto in F.” In a sea of compositions with very similar names, four of his concertos stand out above the rest (not surprisingly) because they bear a title that suggests something extra-musical. The Four Seasons (having nothing to do with Franki Valli) are four Baroque concertos that musically capture the spirit of the respective times of year – Winter, Spring, Summer, and Fall. This sort of use of extra-musical influences is known as Program Music, and is commonplace nowadays. If a composer today wrote a piece called “A Cold Winter’s Day” or “The Ice Storm”, we wouldn’t think twice about it; in fact, we would probably begin making assumptions as to how the piece would sound, built on the musical ideas handed down through generations of wintery composers. But in 1720, for Vivaldi to write a Concerto that captures the spirit of summer AND to title it “Summer” was out of the ordinary.

Generally speaking, people dislike high-pitches (sirens, alarms, etc.), but really like low pitches (hence, the car that drives down your street at 2am with booming bass speakers.)

Ottorino Respighi wrote a series of pieces based on pine trees around Rome (it sounds strange, but it’s true.) The second movement of this piece depicts pines near a lonely catacomb. The descent into the deep, dark, subterranean grave is musically painted with some deep rumbling bass – provided by the bass instruments, of course, but especially by the lowest pipes of the organ.

Because, you know, I’m all about that bass …

If you live anywhere near where  I do, the rain is really coming down today!

Art imitates life; you can find all kinds of musical attempts to capture the spirit of a good cleansing storm. You got your gentle snow storm, your generic winter storm, and then you got your classic thunderstorm, compliments of Gioachino Rossini and his opera, The Barber of Seville. Like most Italian opera, it’s light and elegant.