Ask a Norwegian about Norwegian music, and without a doubt Edvard Grieg (1843-1907) will be the first composer mentioned.
Grieg’s music retains a strong hold in our culture, because he tends to write simple, 4-measure melodies that are easy to remember and fun to sing. It’s likely that you’ve heard his most-well-known piece “In the Hall of the Mountain King,” in which there is really only one melodic idea, repeated over and over again (hence, the reason you probably know it.) Today’s piece comes from the same set of pieces. “Morning Mood” follows a similarly simple form – one melody, presented a number of ways – nothing fancy, just lovely morning mood music.
Many of the instruments in the orchestra were originally used in the battlefield as a way to quickly communicate over large distances. The shrill piccolo or brassy trumpet will cut through loud gunfire or swordfighting (think about why Yankee Doodle is played on a fife, or a trumpet playing “charge!”)
George Frederic Handel wrote his Music for the Royal Fireworks to accompany an outdoor performance of fireworks. He wisely used the modern descendants of battlefield instruments because of their ability to be heard outdoors while explosives were going off all around them. The score calls for nine trumpets, nine horns, three pairs of timpani, and no less than 24 oboes and 13 bassoons. Even by modern standards, that’s rock & roll; and, just like a rock concert, the first performances of the piece caused a three-hour traffic jam on London bridge, and a building was burned down. Seriously. Rock.
Have a wonderful New Year’s Eve! And here’s some early fireworks for you:
There are videos available with pictures of actual fireworks, but I chose this one because I like the high-speed performance.
If you go to an orchestra concert during December, there’s a small chance you’ll get to hear the suite from Rimsky-Korsakov‘s opera, Christmas Eve. Usually one movement (the Polonaise) gets programmed in an attempt to get some variety into the program, and to balance out things like Sleigh Ride.
But before you get the hot cocoa and snuggle up by the Christmas Tree, you should be aware that this is not your lovey-fuzzy Christmas Nutcracker. Like any good Russian opera, this tale has devils, a witches’ Sabbath, and a fantastical plot that is bizarre, even for an opera. Or, on the other hand, go ahead and get the cocoa and snuggle up; just blissfully ignore all the dark subject matter and enjoy the music!
The witches’ Sabbath in this piece is fairly tame. By this time this piece was written, the subject had already been overdone – the trend was started by Berlioz nearly half a century before. I suppose Rimsky-Korsakov knew he couldn’t outdo his good friend‘s more famous setting of the same subject!
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