It’s easy to think of a composer writing a piece as a romantic gift to a potential lover. Wow, lucky guy/girl, we think. But what about when a composer writes a masterpiece as a friendly gift to a 6 & 7 year old girl & boy? Bah, ungrateful little brats!

I’m kidding, of course. But still, we can be sure that this young pair had no idea of the honor bestowed upon them when Maurice Ravel wrote his Mother Goose Suite as a present for them. Though the original composition was for piano, within a year Ravel had expanded the work into a full ballet and orchestrated it. It has since become a beloved classic of “children’s’ music” (that is to say, music for all ages). The suite includes tells some common fairy tales like Sleeping Beauty, Tom Thumb, Little Ugly, and Beauty and the Beast. It ends with this gorgeous pastorale, The Fairy Garden, which doesn’t tell any specific story, but instead captures the simple rapture of children listening to a good tale.

So there’s this composer, Philip Arnold Heseltine, but he goes by Peter Warlock because he believes himself a wizard. And there’s his lover, a model named Minnie Lucie Channing who goes by Puma because … well, I’ll leave that up to your imagination.

Warlock lived only 36 years, taking his own life in the end. However, he managed to squeeze quite a bit of raucous living into that short life, including occult practices, fiery relationships, an unwanted child, saying whatever he wanted in the worst of circumstances, weekly orgies, police raids, and heavy drinking. He wrote his own epitaph:

Here lies Warlock the composer
Who lived next door to Munn the grocer.
He died of drink and copulation,
A sad discredit to the nation.

You’d expect anybody who lived a life like this to look awesome as well … and yes, Warlock had a very unique look (remarkably like Errol Flynn, I might add.)

Professionally, he was never happy with his work or his surroundings; he moved around quite a bit, took a number of different unsuccessful jobs, started (and never finished) many projects. Besides music composition, he published a number of different music journals, wrote musicological books, and helped to grow the budding new interest in folk and early music at the beginning of the 20th century. The influence of English folk music and early music styles can be heard in his popular Caprol Suite for strings. It features six folk-dance-like movements, simple melodies, and a sort of modern-modal harmony.

So there’s this thing called basso continuo.

If you’ve ever seen a “lead sheet“, then you’re already halfway to understanding basso continuo (or BC.) A modern lead sheet displays the melody (and words) of a song, with the chords listed above the melody. The bass, guitar, and keyboard instruments play the printed chords while a voice or melodic instrument plays the melody. Rewind 250 years. Nearly every composition that wasn’t a solo keyboard work had a basso continuo part. They all read the same piece of a music – a bassline with a series of numbers which indicted the chords to be played. This part was played by the bass instruments (cello, double bass, bassoon) as well as the instruments capable of playing chords: the harpsichord, organ, lute, and … the Theorbo!

The Theorbo is a guitar on steroids. Put away your six-string – this badboy has 14-19 strings (and unlike the 12-string guitar, each of the 14 strings is tuned to a completely different note – no doubling.) This selection from a dance suite by Robert de Visée (court lutist for Louis XIV) takes the theorbo out of its basso continuo role and lets you hear its dulcet tones in a solo performance.