Yesterday‘s anvil-themed post prompted a person’s comment which introduced me to a piece I’ve never heard before which also features the anvil. And since this week is a brutal one for me (running a 60-kid Choir Camp), I’m going to run with the hard work / anvil theme here!

Despite his very German name, Gustav Holst was very English (in his compositional style). And while his most famous piece is without a doubt The Planets, wind players know and love his suites for band. These, like many of his pieces, use or imitate English folk songs (which was all the rage while he was alive, thanks to Ralph Vaughan Williams).

This video is particularly magnificent because 1) the anvil-player’s (anvilist?) attire 2) the cinematographic zoom-in on the anvilist at the end 3) the awesome, blacksmith-inspired gaze of the anvilist.

Without a doubt, African-American Spirituals are the most influential compositions in the history of American Art and popular music. From their influence on the 19th century songs of Stephen Foster and the like, to the explosion of Jazz, blues, and ultimately everything from Gershwin to Elvis to Motown, Madonna, and yes, even Justin Bieber. Originally the songs of slaves, this heartfelt music is rich with the full expression of human emotion. It was orally passed down through the years until the late 19th century, when composers like Harry T. Burleigh began to write it down and bring it into concert halls and churches. It continues to inspire and feed the hungry soul to this day.

Christmas Carols are interesting. In an attempt to keep things as simple as possible, I’ll categorize them into three groups: purely sacred carols, somewhat sacred carols, and secular carols.

It’s easy to identify purely sacred carols like “Hark, the Herald Angels Sing” because they actually refer to the Christmas story and have Biblical references. Likewise, secular carols are easy to identity – they tend to be about a general holiday feeling of warmth and love, or mention Santa Claus.

Then there’s that “somewhat sacred” group. “The Holly and the Ivy” is a song about plants, and the only association with religion is that the words make rhymes about Mary. “King Jesus hath a Garden” is also about vegetation, with metaphorical associations to Christ-like virtues. Then there’s the “Cherry Tree Carol” (again about a plant), a totally non-Biblical story which barely has a religious message at all. Some argue that these originated long ago from Pagan solstice celebrations and were adopted and changed into Christian music.

These “somewhat sacred” carols are still sung today in churches, but you’d never hear them at the mall. They mention sacred things, but their theology isn’t exactly rock-solid. Not too long ago, they were considered completely secular, and would never have been sung in a church.

Anyway, today’s piece is a gorgeous German somewhat-sacred carol. And yes, plant life is mentioned.

Mary wandered through a thorny wood, Lord, have mercy,
which was leafless for seven years – Jesus and Mary.

What did Mary carry by her heart? Lord, have mercy.
A little baby without pain – Jesus and Mary.