As the green earth slowly dies away into winter, it’s natural for a person to ponder his/her own end.

That’s exactly what Richard Strauss did in his “Death and Transfiguration.” The work is a tone poem: a piece of music, usually a single movement, that tells a story or evokes a mood using music rather than words. Strauss didn’t event the tone poem (it slowly evolved throughout the late 19th century), but many will argue that the form achieved perfection in his music.

Death and Transfiguration portrays the process of dying. Someone (perhaps the composer, in his imagination) lies on his deathbed; the great struggle to survive ensues; his life flashes before his eyes – he sees his childhood, his loves, his dreams and failures; finally, he accepts his end and is ‘transfigured’ to a perfect state of being – heaven, nirvana, the afterlife. Perhaps Strauss was preparing himself for his own end, hoping to approach the moment with grace and elegance rather than fear. It is said that, on his deathbed, Strauss commented that passing was just as he composed it to be.

The ‘transfiguration’ theme first occurs at 13:06 – this short vision of heaven helps bring the protagonist from fear and suffering to a peaceful death. AND, it’s nearly identical to the second theme of John William‘s Superman music.

Oh, to be Czech. They are by far the world leaders in beer consumption. On average, a Czech consumes 142 liters of beer every year – their Austrian and German neighbors hold the #3 and #4 positions, but with a figure 40 liters lower. And, they have some of the most gorgeous scenery in Europe.

Czech composer Bedřich Smetana‘s most famous opera is The Bartered Bride – but no, it’s not about a mail-order wife. It’s actually just a classic story of a couple whose true love prevails over her parents, who want to trade her for money and social status (WIN parenting right there!) But more importantly, there is a rousing beer-drinking chorus, and a circus scene in which the performers dance some (what else) traditional Czech dances.

Warning: listening to this might make you drink beer and dance a polka.

https://www.youtube.com/watch?v=Kc81uNcscIk

What’s the best way to get your kids to be obedient? Lie to them, of course! Tell them frightening tales of monsters who will get them if they don’t do what they are told. So, when you read fairy tales or nursery rhymes to your children, be sure you are reading the REAL ones – not the updated happy-lovey versions. You know, the one where Rumpelstiltskin rips himself in half, or Hansel & Gretel cook the witch, or the evil scissor-guy cuts off the thumbs of the thumb-sucker.

Shortly after the Brothers Grimm published their collected stories (in German), a guy named Erben published similar set of fairy-tale poems in Czech. Antonín Dvořák, being a nationalistic composer of the Czech people, composed music after the poetry. “The Noonday Witch” is a tone poem in which the story is clearly laid out by the music:

A mother scolds her baby for making so much noise; she complains about what a nuisance he is. She threatens to call the “noon witch” to come and take him away if he doesn’t do as she asks. Whether or not the witch comes is up to interpretation – but either way, the mother becomes frightened that the witch has arrived and is about to steal her child. She clutches the child close to her breast, and faints. When the woman’s husband arrives home, he finds his wife passed out on the floor, and his child dead in her arms – suffocated by the mother’s hold.