Frederick Delius was born in England, and is considered an English composer, though he spent most of his life elsewhere. In his young adult years, he was forced to move to Florida to work in the orange business, but his heart wasn’t in it. He moved to (where else?) Leipzig to study, where he befriended the Norwegian composers we listened to this week: Edvard Grieg and Christian Sinding. He later moved to Paris, and remained on the continent for the rest of his life, only moving back to England during World War I.

The English are known for their love of nature, and this pastorale tone poem by Delius particularly smacks of Vaughan Williams‘ nature-inspired works. Delius writes musical bird calls (it’s fairly easy to recognize the call of the cuckoo), and also quotes a Norwegian folk melody as a way of “tipping his hat” to his Scandinavian friends.

Staying on the theme of Spring (we’ll be here for a while) …

I don’t need to tell you that Spring is more than just a change of season – it’s a rebirth after death, warmth after cold, light after darkness.

It can also be so much more complex than that. Edvard Grieg‘s work, “Last Spring”, was inspired by the poetry of Aasmund Olavsson Vinje. The title sounds like the work will be a nostalgic daydream … however, the word “last” in this case refers not to the previous year, but the sense that this will be the poet’s final spring on earth. Bittersweet indeed.

Like many of Grieg’s most famous works, it was originally written for piano, and later arranged it for orchestra (in this case, just strings) by the composer.

… I wonders where the flowers is?

The change of seasons is a magical time. We humans are completely obsessed with it, and love to draw comparisons between the earth’s seasons and the seasons of our own lives. It should be no surprise, then, that there are tons of musical compositions celebrating Spring – way more than good old Vivaldi.

Here is a short movement from “The Seasons”, a ballet by Russian composer Alexander Glazunov. Born into a wealthy family in imperial times, Glazunov’s politics and style of music went out of fashion after the 1917 revolution. Glazunov loved his country, though, and stayed in Russia for another decade, to ensure that the St. Petersburg Conservatory (arguably the most important music school in Russia) didn’t collapse amid the turmoil. He eventually settled in Paris.

The video ends abruptly. The music wasn’t written to be segmented – if you listen to the whole ballet, Spring flows seamlessly into Summer.