Well howdy pardner! What’s saying you and me git us a couple bottles of sarsaparilly and head on down to yonder ballet and watch them bally dancers dance all purdy like?

Iconic American composer Aaron Copland wrote a number of ballets based on iconic American themes – Appalachian Spring, Billy the Kid, and Rodeo. Today’s piece is the opening movement of Rodeo, titled “Buckaroo Holiday.” May it bring out the inner cowboy in you.

Bring out your inner green with this lovely pastorale for string orchestra by Irish composer Arthur Duff.

Observing the progression of musical ideas and fashion can be truly fascinating. What is good (even acceptable) today might sound ridiculous a century from now.

Case and point: Julius Caesar. A popular subject; there are many famous plays, operas, and movies about him – especially his death. When I think of imperial Rome, a very specific musical sound comes into my head. It’s the sound that was shaped by films such as Spartacus, Gladiator, The Life of Brian (not the silly songs – the incidental music), and of course, the video game Civilization (see 7:05). But that “epic” sound wasn’t always the sound of Rome. When Handel wrote his opera Giulio Caesar, the overture fit the style of his time. Nowadays, we can still enjoy the music, but I’d wager that most people wouldn’t associate this sweet, delicate sound with the leader of brutal, powerful, imperial Rome:

Again, reflecting on our modern associations with musical style, hearing this music makes me think of powdered wigs and ruffly coats, not togas. The music is great, but not Caesarian. Give me the music of Miklós Rózsa, and his score to the 1950s film, Julius Ceasar!