Francis Poulenc‘s first song cycle was Le bestiaire. It was never a “smash hit” as far as Art Music goes, but it remains in the repertory for a number of reasons. It demonstrates Poulenc’s compositional talent, early in his career, while he was still serving in the French army during World War I. It’s not exactly avant-garde, but it’s modern enough to catch you off-guard if you’re not used to the Art Music of the 20th century. And, if you do find the modern sound a bit challenging, the pieces are short and sweet, and the subject matter, fun (animals!) Finally, it helps to introduce French Art Song, or mélodie, to budding voice students.
If you ever want to lose your faith in humanity, just read the comment section of any YouTube video. However, once in a while, there is a comment of pure genius. The top comment of this video is perfect:
Pretty sure this {video} was a practical joke, in which the orchestra grabbed a drunk man off the streets, gave him a bouquet of flowers, and said, “Stand here and make vague waving gestures at the orchestra.”
Mikhail Glinka‘s opera Ruslan and Ludmila was never a hit, but the overture became an instant favorite among audiences. Even when played at a moderate tempo, it sounds like the strings have had about three cups of coffee too many. Thanks to the wonders of the internet, I found a video where the strings have had too much coffee after overdosing on speed.
Talk about a bold opening. Pablo de Sarasate belongs to a group of composers who wrote showcase pieces primarily to show off their instrumental skills (perhaps the most well-known of these composers is Paganini). Zigeunerweisen (“Gypsy airs”) is his most famous work, and invokes the music of the Romani people. You can hear some more Romani-styled compositions in some of my previousposts.
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