Many of the instruments in the orchestra were originally used in the battlefield as a way to quickly communicate over large distances. The shrill piccolo or brassy trumpet will cut through loud gunfire or swordfighting (think about why Yankee Doodle is played on a fife, or a trumpet playing “charge!”)

George Frederic Handel wrote his Music for the Royal Fireworks to accompany an outdoor performance of fireworks. He wisely used the modern descendants of battlefield instruments because of their ability to be heard outdoors while explosives were going off all around them. The score calls for nine trumpets, nine horns, three pairs of timpani, and no less than 24 oboes and 13 bassoons. Even by modern standards, that’s rock & roll; and, just like a rock concert, the first performances of the piece caused a three-hour traffic jam on London bridge, and a building was burned down. Seriously. Rock.

Have a wonderful New Year’s Eve! And here’s some early fireworks for you:

There are videos available with pictures of actual fireworks, but I chose this one because I like the high-speed performance.

For the most part, the holidays are now over. Now comes the big let-down, as we begin to endure the long, cold winter with little respite.

American composer Samuel Barber won the Pulitzer Prize for his opera Vanessa. This aria, “Must the Winter Come so Soon?” is often used by voice teachers to introduce their students to modern American opera.

If are from the Philadelphia area, and listen to Art Music regularly or semi-regularly, you are probably aware that the classical music station has something called the “Sousalarm” every morning. (get it? Sousa, as in John Phillip, sounds like and alarm? sounds like snooze alarm? just making sure …)

I grew up with this – every day, right at 7:15, the radio would play a march of some sort. It’s the perfect way to wake up and get moving. The days are now getting longer, thankfully, but it’s still hard to get out of bed. Why not try a march to get yourself moving?