No matter who you are, you’ve probably heard Gioachino Rossini‘s before, largely because of Looney Tunes. There’s nothing wrong with that. His music is so energizing and playful – perfect stuff for watching the Road Runner outwit Wile E. Coyote and by extension, the Acme corporation. More than that, he doesn’t play any musical guessing-games with his audience. When there’s a melody, you hear it. When it gets faster, you know. No special knowledge required.

This is the overture to his opera “La Cenerentola” – Cinderella.

So why is this post titled “Wait for it …”? The first two minutes of the overture is “sit down and shut up” music. Some quiet notes, a couple big chords, some noodling around, some weird harmonic progressions. Stuff to pass the time as opera patrons rush to their seats before the real action begins. (I’m actually convinced that at 2:09, Rossini was actually setting the words “sit down, shut up, sit down, shut up” to orchestral music.)

So if you get bored or lost early on … wait for it. Things start to get going around 2:15.

Today we’re going to have a very serious lesson in music. So sit down and open your notebooks and prepare to learn about something very deep and complex and difficult. Now, you may not understand it at first, but that’s to be expected – I, who am educated, and have read books with many polysyllablic words in them, can help you.

I’m ready. Bring it on.

Today’s musical lesson is about the form known as Theme and Variation. First, the composer presents a musical theme. Then, the composer varies the theme. These are called variations.

… that’s it?

Yes, that’s all.

… anything else?

Nope. A composer will vary the theme in any way s/he pleases. Sometimes it’s obvious, sometimes it’s not. If you like, you can analyze the ways the theme is varied, or you can just sit back and enjoy the music for what it is.

… class dismissed?

No, not yet. First, listen to Johannes Brahms’ Variations on a Theme by Haydn.

 

ēʹ-mō: adj. (informal) emotional; sensitive.

Ok, so I got a little carried away. All joking aside, this is some of the finest stuff ever written. And I do find it’s a perfect soundtrack to the lonely midnight hours.