The Hanukkah story comes from the Biblical books of First and Second Maccabees. If you don’t know the story, and have about three hours to spare, I’d highly recommend (besides reading these short books) going to a performance of George Frederic Handel’s “Judas Maccabaeus.” Unlike Handel’s “Messiah,” (which gets plenty of plays this month), this oratorio tells like a regular story with a plot. While it isn’t exactly fast-actioned, it does has dramatic elements – something which was easy for a composer of over 40 operas!

The most famous section of Judas Maccabaeus is “See, the Conquering Hero Comes“:

Today we’re going to have a very serious lesson in music. So sit down and open your notebooks and prepare to learn about something very deep and complex and difficult. Now, you may not understand it at first, but that’s to be expected – I, who am educated, and have read books with many polysyllablic words in them, can help you.

I’m ready. Bring it on.

Today’s musical lesson is about the form known as Theme and Variation. First, the composer presents a musical theme. Then, the composer varies the theme. These are called variations.

… that’s it?

Yes, that’s all.

… anything else?

Nope. A composer will vary the theme in any way s/he pleases. Sometimes it’s obvious, sometimes it’s not. If you like, you can analyze the ways the theme is varied, or you can just sit back and enjoy the music for what it is.

… class dismissed?

No, not yet. First, listen to Johannes Brahms’ Variations on a Theme by Haydn.

 

You never know when exactly it’s going to come, but, every day, there comes special moment in time when you know you’re no longer going to get any real work done. It’s Friday. When the time comes from you to walk out of work (on time, or perhaps, a bit earlier), do it in style – like a Sardar would.

… with thanks (apologies?) to Mikhail Ippolitov-Ivanov and his famous Caucasian Sketches.