Yesterday‘s anvil-themed post prompted a person’s comment which introduced me to a piece I’ve never heard before which also features the anvil. And since this week is a brutal one for me (running a 60-kid Choir Camp), I’m going to run with the hard work / anvil theme here!
Despite his very German name, Gustav Holst was very English (in his compositional style). And while his most famous piece is without a doubt The Planets, wind players know and love his suites for band. These, like many of his pieces, use or imitate English folk songs (which was all the rage while he was alive, thanks to Ralph Vaughan Williams).
This video is particularly magnificent because 1) the anvil-player’s (anvilist?) attire 2) the cinematographic zoom-in on the anvilist at the end 3) the awesome, blacksmith-inspired gaze of the anvilist.
Every profession has easy weeks and hard weeks. For musicians, December is simply exhausting (but also, a big money-maker!) For me, the last week of August means Choir Camp – which means managing 60+ young choristers for a week of music making.
I am beat.
But at the same time, there’s something satisfying about completing hard work. Verdi knew this (he composed a huge amount of opera music), and so did the Gypsies who sang the famous Anvil Chorus:
Every once in a while, somebody writes an article challenging the US’s choice of National Anthem. The usual argument is: it’s a poor choice for a national anthem because the melody was originally the official song of a British drinking club. I would argue that there’s nothing wrong with this. It’s common practice throughout music history to adapt previously-written tunes for different needs; there’s nothing wrong with that.
What’s wrong with the national anthem is that it’s a poem about a tattered piece of cloth during an insignificant battle of a war that most Americans know little about. It has little to do with our country; the only patriotic words come in the last line – “… the land of the free and the home of the brave?” – and it ends with a question mark!
If you ask me, we should adopt “Chester” as our national anthem. First, it was written by William Billings, one of the first American composers. Second, it has a rough and tough melody and harmony that embodies the American spirit of the common man. Third, the words better portray the revolutionaries’ struggle for freedom:
Let tyrants shake their iron rod, And Slav’ry clank her galling chains, We fear them not, we trust in God, New England’s God forever reigns.
Howe and Burgoyne and Clinton too, With Prescot and Cornwallis join’d, Together plot our Overthrow, In one Infernal league combin’d.
When God inspir’d us for the fight, Their ranks were broke, their lines were forc’d, Their ships were Shatter’d in our sight, Or swiftly driven from our Coast.
The Foe comes on with haughty Stride; Our troops advance with martial noise, Their Vet’rans flee before our Youth, And Gen’rals yield to beardless Boys.
This is a straightforward orchestral setting of “Chester” by William Schuman.
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