Many of the instruments in the orchestra were originally used in the battlefield as a way to quickly communicate over large distances. The shrill piccolo or brassy trumpet will cut through loud gunfire or swordfighting (think about why Yankee Doodle is played on a fife, or a trumpet playing “charge!”)

George Frederic Handel wrote his Music for the Royal Fireworks to accompany an outdoor performance of fireworks. He wisely used the modern descendants of battlefield instruments because of their ability to be heard outdoors while explosives were going off all around them. The score calls for nine trumpets, nine horns, three pairs of timpani, and no less than 24 oboes and 13 bassoons. Even by modern standards, that’s rock & roll; and, just like a rock concert, the first performances of the piece caused a three-hour traffic jam on London bridge, and a building was burned down. Seriously. Rock.

Have a wonderful New Year’s Eve! And here’s some early fireworks for you:

There are videos available with pictures of actual fireworks, but I chose this one because I like the high-speed performance.

December 17 is a day that I get to mentally relive one of my favorite high school memories – Saturnalia! For those of us in Latin Club, this was a day of great celebration. We were excused from class, and would walk around the school shouting “Io Saturnalia!” while pelting underclassmen with candy. It was a day of great learning for all.

Gustav Holst’s most famous piece is undoubtedly The Planets, a multi-movement work  which, despite the name, is more astrological than astronomical (think horoscopes or Roman gods). It’s a funny case of the large work titled after heavenly bodies, while the individual movements, like “Saturn – The Bringer of Old Age” bear mythological subtitles.

The music doesn’t tell a specific story, but instead paints a marvelous picture of gods, goddesses, and giant spheres of matter orbiting the sun. The work has practically defined what music about outer space should sound like, and its influence can be heard in any sci-fi or space themed movie.

I’ve been posting longer things to listen to these last two days, largely because of the holiday that helps us all slow down and appreciate the finer things in life. I hope you’ll let me indulge on more time.

Growing up, my family had a number of traditions which took place over the Thanksgiving weekend. Thursday, we went to watch the marching band perform (two football teams would compete as the opening and closing acts to the performance.) Friday, we made about five pounds of chex mix and went to our town’s Christmas Tree lighting ceremony. On Saturday, we ate all five pounds of chex mix while we decorated the house and set up the Christmas tree – while listening to the Nutcracker.

There are a number of secular pieces that, for one reason or another, have become associated with the December holidays – La Boheme, Amahl and the Night Visitors – but of them all, the Nutcracker is king!

The story comes from the early 19th century tale by German author E. T. A. Hoffman, and it’s weird. Even so, it’s charming and cute, and makes for a great ballet which calls for a huge number of dancers, including many children. If you have any dancers in your family, you’ve no doubt been subjected to the Nutcracker multiple times.

It’s sentimental, maybe clichéd – but you gotta love it. After all, nobody can beat Tchaikovsky when it comes to the art of melody-writing.