Clara the Riveter
Throughout history there have been numerous female composers; their place in society prevented nearly all of them to remain obscure and their music unheard. Even with all the progress made in modern society, women composers (living and dead) still are unjustly considered second-class. Just consider this – the Vienna Philharmonic Orchestra did not accept female musicians until … ready for it? … 1997.
1997! Seriously?
It took them that long to join the 20th century?!?!
I need not go into great detail on this issue because there are plenty who already have done it far better than I can. What I can do is encourage you to listen to Clara Schumann. (Clara’s husband, by the way, was also a composer. Not surprisingly, his Wikipedia article is longer – but not by much.) In a way, she is the figurehead for the advancement of women composers. Her writing was so good, so much better than most of the schlock that was being pumped out by many of her male contemporaries, that she simply could not be ignored. And since her, things have been steadily improving for female musicians and composers, albeit slowly.
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