Sometimes these posts just write themselves.

The internet is exploding because of David Bowie’s death. One of Bowie’s most popular songs is “Space Oddity.” That title was adapted from the Stanley Kubrick film, “2001 – A Space Odyssey.” The soundtrack to that movie included some fantastic pieces of Art Music, especially Atmosphères by György Ligeti. Here, Ligeti does away with many of the traditional musical elements and instead explores texture and timbre. The piece speaks for itself; many love it, some hate it.

If you read Musicophilia by Oliver Sacks, there are some interesting tales of musical amusia. I wonder how people who suffer from this condition would hear Atmosphères.

It’s always a struggle to draw clear lines around what is and isn’t Art Music. One good descriptor is a piece’s ability to remain popular long after it was new. Simply put, trends come and go, but the stuff that’s really good lives on for decades or even centuries.

Kile Smith is a living American composer who wrote a large work “Vespers” for two professional ensembles, The Crossing choir and Piffaro renaissance wind band. The movements are in Latin and German; it was premiered in Philadelphia. It uses modern compositional idioms and ancient German hymn tunes. It sounds new and ancient at the same time. It breaks new ground while reminding us of something we feel like we already know.

If you like what you hear, I highly recommend listening to the rest of the work. You can find it on youtube, or (the better option) you can purchase the album from iTunes or Amazon.

I started this blog as a way to challenge myself, keep my brain sharp(ish), learn new things, and grow as a person. In this new year, I hope that whatever dreams or crazy ideas you have might be realized – be brave, be bold, and do it! May Prometheus bring you a gift of fresh fire.

If you need some inspiration, look no further than Alexander Scriabin. To cut to the chase, the guy was completely nuts, and therefore, many people declare him a genius. He was into Theosophy and experienced a musical synesthesia so strong that he invented an instrument called the “color organ.” His unfinished magnum opus was to be Mysterium, in which (I’m not making this up), the whole human race would blissfully dissolve and a new race of superhuman artists would emerge. The grand performance would take place on the foothills of the Himalayas, and there would be no audience – everyone would be a performer.

One of his last finished works, Prometheus: The Poem of Fire, is scored for large orchestra, with a major piano solo (though not quite a concerto), and color organ. It’s out there, but compared to Mysterium, I suppose it’s fairly normal. (note that it was composed in 1910, just before Stravinsky‘s big three ballets … and you have to admit, it smacks of Stravinsky … or perhaps Stravinsky smacks of Scriabin.)

Again, I hope you find some renewed fire in this new year, and live your dream. After all, it can’t be as bizarre as Scriabin’s.