Franz Liszt was a romantic’s romantic. He was raised in Hungary, which was considered exotic in Western Europe during his lifetime. He was the first musical superstar – a virtuoso pianist, prolific composer, playboy and priest (though not at the same time.)

The Hungarian Rhapsody #2 in C# gets a lot of used, recently in a popular video game. I just love this piece: its ridiculously over-dramatic Romani beginning; the little slow dance which is both fiery and sensual at the same time; the wild jumping at the end. It’s 19th-century heavy metal.

Hector Berlioz is his name.

To an untrained ear, his music sounds like much of the music of the Romantic Era. To a seasoned ear, he is in a class all unto himself.

I am especially fond of Berlioz’s romantic sensibilities. He writes in his memoirs about a visit to the Paris opera. During a particularly moving aria, Berlioz overheard a conversation between two men behind him:

“Good Lord, sir, calm down! Control yourself!”
“I can’t! It’s too beautiful!”
“You silly ass, don’t let the music affect you so!”
“Just leave me alone!”
“It’s only music, you fool. Get over it! Here, have a piece of this orange, it will make you feel better.”
“It’s wonderful!”
“It’s fresh and imported from Spain!”
“I was talking about the music, you nincompoop!”
“Oh, yes, the music – it’s alright.”

Soon after this, Berlioz himself begins to weep at the overwhelming beauty of the music. At the end of the aria, he is lifted from his seat by the man behind him, who is overjoyed to have found someone who was equally moved. They embrace and share a moment together, and never see each other again.

Today Christians celebrate the Epiphany, when the Wise Men gave their gifts to Jesus. It’s the official close of the Christmas season, and a principal feast of the church. There are a number of carols devoted to the Magi – namely, “We Three Kings” and “The First Nowell.” But I thought we’d listen to something different as we move away from the big holidays.

Musically speaking, Albert Ketèlbey is the English predecessor of Leroy Anderson. His importance is underplayed because his most popular compositions tend to fall into the category of “light” music; however, his sound and style permeate English music, especially of film, to this day. His best-loved works painted exotic pictures for English listeners, and were a way for the average joe and jane to travel to distant lands through their ears.

So, since the Magi came from Persia, here is a delightful little piece, “In a Persian Market.”