I am deeply humbled by the bravery of any person who willingly risks his or her life for the sake of others, and am thankful for the sacrifice that many made so that I may live as I do. It’s easy to forget this, living in the sheltered, safe world in which most of us live. Please take some time today to remember and give thanks for the lives lost fighting for our way of life.
Edward Elgar‘s “Nimrod” from his Enigma Variations – originally a statement of deep friendship by the composer. Its rich sweeping emotion has made it a perfect choice for remembering the lives of heroes. “Nimrod” was an ancient biblical hunter; Elgar’s friend was “Jaeger”, the German word for hunter – thus the coded title of this movement.
Nowadays we usually associate music-making with peace. In modern combat, listening to music is frowned upon and considered a distraction – but listening to music in this case might be more to steady the nerves. After all, orders can be given, instantaneously, from practically any commander to any soldier, anywhere, thanks to radio and digital communication.
This is a relatively modern phenomenon. Before radio, there were a very limited number of ways to communicate with troops over large distances, while the noise of battle raged: visuals like flags and of course, music!
Thanks to baseball and horseracing, you probably know the bugle call that means “charge!” If you’ve seen Barry Lyndon, the 4-measure piccolo melody might be burned into your memory. And of course, there’s the loud beat of marching drums. Now imagine it’s 1778, and you’re on the battlefield. In the distance you hear “Yankee Doodle” on the piccolo – you know who is on their way. Your commander is so far away you can’t hear his voice – but the drummer plays a drumroll, and so you prepare your rifle and aim; a loud rim shot, and you fire. The bugle signals a charge and the cavalry ride ahead. The piccolo in the distance changes its melody, and you know those Yanks are up to something.
Although the music in warfare might be more function than art, you can’t deny that there is often art in function. Here is a renaissance piece by Tielman Susato, inspired by battle, complete with bomb sounds (way before Tchaikovsky‘s 1812 Overture …)
This guy is so amazing I just had to feature him again.
Today is my birthday. I’m not really into birthdays, despite what my wife will tell you. The natural thing for a birthday, I suppose, would be to post my favorite piece of music, or perhaps a piece that is who I am. This, of course, brings up all sorts of questions: who am I? who am I supposed to be? who do you expect or want me to be? whose opinion matters, anyway?
It feels a bit clichéd, but Wagner‘s Prelude and Liebestod from Tristan und Isolde speaks to me more than any other piece of music. The Prelude begins not knowing where it is going, and after a long twisted journey, the only resolution you get is a return to the beginning state of unknowingness. And then, the Liebestod: possibly the longest delayed climax in history (4 hours) – but when it hits you, it’s like bliss you never even knew existed. Crying, of course, is optional.
Personal preference for this piece – the brass can simply not be loud enough. If the trombones haven’t made you deaf, then it’s a failure.
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