The Fine Art of Listening

I recently stumbled across a friend’s performance on youtube, and immediately though “wow, this is great – time to put this on the blog!” Any Art Music video (that isn’t designed to be click bait) with over 20,000 views is quite an accomplishment.

Now it’s common knowledge that if you want to lose your faith in humanity, all you need to do is read through the comments on any youtube video, news feed, or basically anything on reddit. Unfortunately, and against my better judgment, I scrolled down and found that many of the comments were complaints about my friend’s facial expressions – not the music. Here was a flawless performance with good sound & video quality, offered for FREE to anyone, anytime – but clearly, this generous offering of beautiful music at no cost isn’t as important as making the right facial expression.

The world is full of Philistines and Trolls. We’re all told to ignore the Philistines and not feed the Trolls, but their words still can hurt – and some of us are unable to forget cruel words, regardless of the circumstances under which they were said or written. So as a public service message to all, please think before you speak or write, and remember that beauty is a thing that needs to be protected and defended. And DON’T FEED THE TROLLS!

One has to deeply admire Hilary Hahn, not just for her amazing playing, but for her dedication to new music. She gets called all over the world to perform the great violin masterpieces (IE, the old, tried-and-true pieces by dead composers), then turns around and commissions new music for the instrument. The album “In 27 Pieces” is filled with these pieces – 26 encores that she commissioned herself, and 1 final piece which she reserved for a winner of an open contest that received over 400 entries.

This piece, titled “Third Sigh” is from one of the composers Hahn commissioned – Antón García Abril.

Generally speaking, people dislike high-pitches (sirens, alarms, etc.), but really like low pitches (hence, the car that drives down your street at 2am with booming bass speakers.)

Ottorino Respighi wrote a series of pieces based on pine trees around Rome (it sounds strange, but it’s true.) The second movement of this piece depicts pines near a lonely catacomb. The descent into the deep, dark, subterranean grave is musically painted with some deep rumbling bass – provided by the bass instruments, of course, but especially by the lowest pipes of the organ.

Because, you know, I’m all about that bass …