What’s the best way to get your kids to be obedient? Lie to them, of course! Tell them frightening tales of monsters who will get them if they don’t do what they are told. So, when you read fairy tales or nursery rhymes to your children, be sure you are reading the REAL ones – not the updated happy-lovey versions. You know, the one where Rumpelstiltskin rips himself in half, or Hansel & Gretel cook the witch, or the evil scissor-guy cuts off the thumbs of the thumb-sucker.

Shortly after the Brothers Grimm published their collected stories (in German), a guy named Erben published similar set of fairy-tale poems in Czech. Antonín Dvořák, being a nationalistic composer of the Czech people, composed music after the poetry. “The Noonday Witch” is a tone poem in which the story is clearly laid out by the music:

A mother scolds her baby for making so much noise; she complains about what a nuisance he is. She threatens to call the “noon witch” to come and take him away if he doesn’t do as she asks. Whether or not the witch comes is up to interpretation – but either way, the mother becomes frightened that the witch has arrived and is about to steal her child. She clutches the child close to her breast, and faints. When the woman’s husband arrives home, he finds his wife passed out on the floor, and his child dead in her arms – suffocated by the mother’s hold.

Halloween is a funny holiday. It has its light, fun side, with kids, costumes, candy, parties. It also has a darker side, making us contemplate death as the summer world “dies” into winter. Somewhere in between, we delight in facing our darkest fears from a safe distance – like watching a horror movie from the safety of our living rooms.

The Dance of Death is an old allegory for the harsh reality of life – no matter who you are in life, how important or unimportant, we all end up dead in the end. Perhaps this holiday helps us address this reality with a sense of humor. Camille Saint-Saëns‘ famous symphonic poem, Danse Macabre, had its beginnings as an art song that he wrote, in which death plays his violin, calling souls to their death. Shortly after he wrote it, Saint-Saëns expanded, adapted, and crafted into this Halloween favorite. It follows a predictable, but fun hallows eve legend – death awakens at midnight, dances his wild dance, but returns to the grave with the morning sun.

Sergei Rachmaninoff was inspired to write a symphonic poem “The Isle of the Dead” after he saw this painting by the same name:

The unusual meter of 5 beats per measure makes the motion of the piece feel like the gentle rocking of a boat as it carries a soul across the river styx. The quotation of the Dies Irae chant was clichéd by the time Rachmaninoff wrote this piece, having been worn out by both Berlioz and Lizst. Nonetheless, this marvelous work deserves more credit than it is given, and is far more interesting than any of Rachmaninoff’s symphonies – and nowhere near as long!