Just one more anvil post; I’m not sure which is my favorite, yesterday‘s or today’s. Yesterday’s is a complete piece, start to finish; today’s is an snippet from an opera …. but it’s Wagner.

This short video is an excerpt from his massive, 15 hour opera cycle known as “The Ring Cycle” – four long operas based on German mythology and part of the inspiration behind Tolkein‘s “The Lord of the Rings.” It’s music that accompanies a scene change; its crescendo and sinister sound make it memorable and loved by Wagner fans. The scene change takes us from the land of the gods to the depths of Nibelheim, an underground city of dwarfs. The dwarfs here tirelessly mine for gems and work at the anvil, hence the unmistakable sounds you’ll hear starting around 1:53.

gotta love this video for the extreme close-up of Wagner’s mutton chops and neard.

Continuing with this week’s anvil theme (see here and here), today I give you Alexander Moslov. Who said nothing good ever came out of the USSR?

The Iron Foundry was written shortly after the 1917 Russian Revolution, and is one of the last pieces in the brief futurist movement which swept through Europe around World War I. In short: it’s the music of industrial progress! Assembly lines, machines, manufacturing, factories.

Although it’s hard to hear, the anvil solo comes in at 2:30. NEEDS MORE ANVIL!!!!!

Yesterday‘s anvil-themed post prompted a person’s comment which introduced me to a piece I’ve never heard before which also features the anvil. And since this week is a brutal one for me (running a 60-kid Choir Camp), I’m going to run with the hard work / anvil theme here!

Despite his very German name, Gustav Holst was very English (in his compositional style). And while his most famous piece is without a doubt The Planets, wind players know and love his suites for band. These, like many of his pieces, use or imitate English folk songs (which was all the rage while he was alive, thanks to Ralph Vaughan Williams).

This video is particularly magnificent because 1) the anvil-player’s (anvilist?) attire 2) the cinematographic zoom-in on the anvilist at the end 3) the awesome, blacksmith-inspired gaze of the anvilist.