César Franck wasn’t born on Halloween, but his most dramatically frightening programmatic work was. Completed on October 31, 1882, The Accursed Hunter is a tone poem which tells the story of a nobleman who breaks one of the ten commandments by going hunting on the Sabbath.

The piece begins with obvious hunting calls, and church bells attempting to call the hero to Sunday worship. Ignoring the bells, he enters the deep woods where a demonic voice curses him: he is condemned to be pursued by demons for all eternity!

Something to think about, next time you feel like skipping church.

Thanks to elementary-school music classes and “Row, row, row your boat”, canon is a musical term that is pretty well known. Even if you didn’t pay attention in music class, you probably recognize the term from going to, basically, any and every wedding ever.

You can find canons throughout all of music history. To this day, student composers write canons as part of their training. Canons range from being super simple to outrageously complex.

Cesar Franck wrote canon into many of his works – this was a bit odd for the romantic era, which tended to favor emotion and drama over form and structure. Franck’s canons, however, perfectly fit the aesthetic of the romantic era, and never sound forced or out of place. His Sonata for Violin and Piano is a stunning work and favorite of violinists & pianists (and flutists, who also lay claim to this work.)

Interestingly, Franck’s most famous composition, also with a canon, can be heard alongside Pachelbel’s, at “any and every wedding ever.”