Nowadays we usually associate music-making with peace. In modern combat, listening to music is frowned upon and considered a distraction – but listening to music in this case might be more to steady the nerves. After all, orders can be given, instantaneously, from practically any commander to any soldier, anywhere, thanks to radio and digital communication.

This is a relatively modern phenomenon. Before radio, there were a very limited number of ways to communicate with troops over large distances, while the noise of battle raged: visuals like flags and of course, music!

Thanks to baseball and horseracing, you probably know the bugle call that means “charge!” If you’ve seen Barry Lyndon, the 4-measure piccolo melody might be burned into your memory. And of course, there’s the loud beat of marching drums. Now imagine it’s 1778, and you’re on the battlefield. In the distance you hear “Yankee Doodle” on the piccolo – you know who is on their way. Your commander is so far away you can’t hear his voice – but the drummer plays a drumroll, and so you prepare your rifle and aim; a loud rim shot, and you fire. The bugle signals a charge and the cavalry ride ahead. The piccolo in the distance changes its melody, and you know those Yanks are up to something.

Although the music in warfare might be more function than art, you can’t deny that there is often art in function. Here is a renaissance piece by Tielman Susato, inspired by battle, complete with bomb sounds (way before Tchaikovsky‘s 1812 Overture …)

This guy is so amazing I just had to feature him again.