Quite frankly, nobody can even come near Shakespeare in his mastery of language. He is to English what Bach was to counterpoint, Tchaikovsky to melody, or Mozart to form and balance.

Anyone who sings in a choir knows the name John Rutter. He might be considered one of those “crossover composers” – writing music that is hard to place as purely “classical” or “popular”. Naturally, this has made him disliked by many elitist musicians who seek reasons to turn their noses up at composers who are actually successful during their lifetimes. But once you get over that bit of nonsense, you’ll find that he is a master composer with impeccable technique (solid & interesting vocal writing) who knows how to please his performers and audiences with honest, unpretentious music.

“Blow, blow, thou winter wind” is a song found in Shakespeare’s “As you Like It“. I am particularly fond of this text, and find comfort in it when I’m having a bad day. Rutter’s setting is perfect. It flows like a popular song, has a sweeping melody (with a couple fantastic 9-8 suspensions!) and some harmonic twists that give it a bite – like a winter wind: not so unkind as man’s ingratitude.

Schumann holds a very special place in my heart. When I was young, I found his music to be pretentious, overly heavy, and unbearable. It wasn’t until I was well into my adult years that I came to appreciate his music.

Two of his best-known works are the “Album for the Young” and “Scenes from Childhood.” Many pianists studied this music in their youth – I was no exception. The pieces in this collection are fairly short and repetitive, and makes for great recital music for young pianists. And, like many young pianists, I endured, but never enjoyed playing these pieces. I always had a picture in my mind of a very serious Schumann towering over a young pianist, saying “not good enough! Practice more!” But now I think that while these pieces might be written for young fingers, their emotional content is intended for adults. There is a longing, a nostalgia, in this music that is too mature for little minds. If you play the piano, I would encourage you to get a copy and learn them; you will be richly rewarded.

Today’s pieces are two separate pieces from the Album for the Young. I believe they were meant to be played together.

For the most part, the holidays are now over. Now comes the big let-down, as we begin to endure the long, cold winter with little respite.

American composer Samuel Barber won the Pulitzer Prize for his opera Vanessa. This aria, “Must the Winter Come so Soon?” is often used by voice teachers to introduce their students to modern American opera.