Requiem Aeternam, revisited
I originally had written a different post for today, but Saturday night’s tragic event forced me to publish it earlier than expected.
A year ago today, nine people in Charleston were killed in an act of hatred and terrorism. Sadly, we Americans hear this story a couple of times a year. It’s all too familiar; we humans are very capable of some very disturbing behavior. If you want to read about that, you can find it by searching any media site. Instead, I want to counter this frighteningly common, disturbing behavior, with the fact that humans are also capable of creating things of beauty – things that uplift our species and help us to look forward, even though there are some of us who behave like animals.
Composer Parker Kitterman was deeply moved by the 2015 Charleston tragedy, both because of the senselessness of the crime, and because of his deep south roots. His response to the massacre was to write a Requiem in nine movements – one for each of the victims of the attack. As the Charleston shooting was intended to incite a racial war, Kitterman responded by writing a work that seamlessly blends the sounds of European Art Music with that of African-American Gospel. The end result is a brand-new work (less than a year old) that will hopefully carry the banner of love and help bring healing to a sick world.
Kitterman’s Requiem was premiered on November 1st, 2015, on the Feast of All Saints’, when the Christian Church remembers those who have died in the last year. I am very proud to be participating in the second performance of this work, this evening.
This recording, from the Nov. 1 premiere, is the Introit, which gives just a little taste of the work. This performance is for choir and organ alone; tonight’s performance will use piano, drums, and bass as well.
Parker is brilliant. This piece is a gift.
I was so grateful to be able to sing this tonight. His work, and yours with him, was a musical and spiritual gift to the community.