Insane men ripping out their hair
Don’t ask me, I didn’t come up with that.
Maybe from boredom, maybe from drinking, or maybe from a sudden burst of creative energy at 4am – whatever the cause, sometimes people write wacky lyrics to instrumental pieces. Sometimes they’re very clever – for example, I’ve heard these words sung to the opening bassoon solo in Stravinsky’s Rite of Spring:
“I am not an English horn, I am not an English horn, this goes too high for me, I am not an English horn.”
Another one which is hilarious (albeit on an esoteric level) is this text for the secondary theme in the slow movement of Franck’s Symphony:
“Cesar Franck composed the best he could; his music sounds like Brahms, but not as good.”
But then there’s this one, which is used primarily as a mnemonic device for music students to remember the melody of the minuet from Mozart‘s Symphony in g minor:
“Insane men, ripping out their hair.” Wat?
I can almost rationalize these lyrics: the melody of this movement is somewhat in 2/4 time, while the dance itself is in 3/4 time. It’s like trying to dance a polka when you’re supposed to be dancing a waltz. If you feel the melody in 2/4, then you’ll find yourself adding a beat here or there to compensate, and it can make you insane, possibly causing you to rip out your hair. Whatever, I didn’t come up with it.
Thanks for this tidbit, Erik. I use this movement as the central focus when discussing meter, form, and balance & [a]symmetry. Now I have a new wrinkle to throw in.