I had two different pieces lined up for today, depending on the outcome of the election. I have to admit that I really didn’t expect to be playing this one. We humans are strange indeed. If you’re happy with the election results, congratulations. If you’re saddened, music can be healing. This short piece of incidental music by Edvard Grieg speaks directly to the sore heart. Like most of the other movements of his Peer Gynt suite, it uses a simple four-measure melody that repeats a lot. The simplicity is refreshing, though – sometimes you just don’t have the energy to get involved with a long musical narrative.

Remember that humans are capable of creating things of beauty.

(Aase is Peer Gynt‘s mother.)

Musicians usually have a good sense of humor. Those who don’t are either at the very top or the very bottom of the music world.

A lot of educators use Camille Saint-Saëns‘ Carnival of the Animals as an introduction to Art Music for very young listeners. The lesson usually goes like this:

TEACHER: Ok class, we’re going to listen to some music now. (plays music) Now what did that make you think of?
STUDENT #1: I have a dog named muffin.
TEACHER: That’s nice. Does it remind you of anything?
STUDENT #2: It sounds like SpongeBob.
TEACHER: Well, this music is about an animal! What animal does it make you think of?
STUDENT #3: A Velociraptor.
TEACHER: Don’t you think it sounds like chickens?
STUDENT #4: I think I’m going to throw up.
TEACHER: Let’s do some coloring instead.

Saint-Saëns piece is delightful enough to be enjoyed by little ones, but has some wicked humor in it aimed at adults. Among the “animals” that he paints with music are: Elephants, Donkeys, Birds, Pianists, People with Long Ears (i.e. music critics), and Fossils. He satirically quotes dozens of musical compositions throughout the work: his own Danse Macabre as well as Berlioz’ Faust, Mendelssohn’s Midsummer Night’s Dream, Offenbach’s Can-Can, Rossini’s Barber of Seville, and more.

This election year was horrible on so many accounts. Without humor I would have crawled away into a cave until it was all over. So, go vote today, and in the meantime, enjoy “Elephants” and “Donkeys”.

Everyone seems to agree that this presidential election is unpleasant, depressing, stressful, etc. So if you’re sick of listening to all the political bullshit, allow me to give you some very different bullshit for your listening pleasure!

If you’ve taken a music appreciation class, you’ve probably had some John Cage forced on you. I should point out that I like the guy, and I like musing over and talking about his ideas. At the same time, I don’t actually enjoy listening to his music; I think it’s main value is not aesthetic but philosophical.

Among the many cool ideas he had (I say “cool” because I don’t think it’s necessarily “good”) was to remove the human composer from the act of composing as much as possible. From here he began exploring other ways to challenge our ideas about music composition and creation (and, about ourselves and our social interactions). His piece Indeterminacy is a recording of Cage reading random sentences from selected stories, while his friend David Tudor makes random musical sounds with various instruments.

If the music were more typical, and the spoken words made sense, this recording would be same-old-stuff, perhaps something akin to a children’s story accompanied by music. But since both music and words are nonsensical, our initial response is “what the hell is this?” But, to a non-human, both same-old-stuff and the nonsensical-stuff might sound exactly the same. Who gets to define what is music and what isn’t, anyway?