Amy Beach was the first successful female American composer. She remains unsung today, but ironically this has less to do with her sex than it has to do with the year she was born.

Beach was one of the members of the “Boston Six” – Six American composers whose musical success marked a new era for Art Music in the US. After centuries of being considered a backwards musical wasteland, the United States was finally on the Art Music map. So what happened? Why are the Boston Six not household names? Well, their writing was very rooted in the European style (German, specifically), and there is little that is uniquely American about their music. This wasn’t a big deal during the height of their careers; but soon afterwards they became completely overshadowed by two things: Charles Ives and Jazz. Ives became the poster-boy for academic, aloof, cultivated Art Music, while Jazz quickly became the defining American musical idiom.

Back to Amy Beach – her music is truly fantastic; as good, if not even better, than the European masters who get overplayed.

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Happy birthday Albert Einstein! To honor you, how about we listen to a 5-hour opera with no plot and no intermissions?

Minimalist composer Philip Glass‘ 1976 opera, Einstein on the Beach indeed doesn’t have an actual plot, but instead presents a repetitive music with counting numbers and repeated spoken phrases. You could say that it musically presents the inner clockwork of the mind of a genius – pondering and calculating things that most people can’t even begin to understand.

Having played a limited number of minimalist pieces myself, I can say that this opera requires the very best musicians. The concentration of mind and strength of muscle required is enough to give most players some PTSD.

March 8 is International Women’s Day, a day to celebrate the achievements of women throughout history.

Gender inequality certainly exists in music. And while the field of performance (solo and ensemble performers) has become considerably more gender balanced than it was in the past, composition still remains a male-dominated career.

Today I want to celebrate Amy Beach, who was the first American woman to have a successful career as a concert pianist and composer of Art Music.

Despite being a female composer at a time when composers simply weren’t supposed to be female, Beach was revered as a member of the Second New England School – the elite, first group of highly educated American composers. Their music is fabulous, but they get overshadowed by their European contemporaries, and nowadays, their music is considered to be not truly “American”. (whatever!)

Anyway, Beach is one seriously strong person. After she married in 1885, her husband asked (ie, demanded) that she limit her concert performances, an donate all her earnings to charity. Nevertheless, she persisted. Her 1896 “Gaelic Symphony” was a monumental success. Critics tried to find weaknesses in the composition and attach them to her sex, but to no avail. Audiences and her colleagues lifted her up as one of America’s finest.

The whole symphony is fabulous. If you have the time, I’d highly recommend listening to the rest of it – check the sidebar on Youtube, and follow the roman numerals. And if you don’t have the time … come back when you do 🙂