We all have our own rituals when preparing for a holiday. Some put up the Christmas Tree the day after Thanksgiving, some wait until Christmas Eve. Maybe there are TV specials or movies that you MUST watch every year. Some decorate like mad a month before Valentine’s or St. Patrick’s day. Or maybe you’re really into Americana on the 4th.

Every October, I have a canon of scary short stories that I read. It always begins with Poe, especially the Fall of the House of Usher, includes a handful of things like Sleepy Hollow, and ends with a generous portion of Blackwood and Lovecraft. But for now, let’s stick with Poe – how about The Masque of the Red Death?

André Caplet is mainly remembered for his orchestrations of the piano works of his friend, Claude Debussy, especially Clair de Lune. It’s difficult living in the shadow of such a great master; Caplet left behind a generous catalog of works in many different genres, including this gothic tone poem inspired by Poe’s short story. A classic string quartet instrumentation is greatly augmented by the harp, which makes the small ensemble sound much larger than five players.

I was having a discussion this weekend with some friends about a choir that sings to people as they are dying. I suppose some people would find this morbid, but to me (and my musician friends) there is nothing more natural. It turned out that a number of us not only had our funeral music picked out, but we also had “last pieces” picked out for our final hours of consciousness.

A friend of mine, in her early 20’s, needed a very risky surgery; the doctors said she had a 15% chance of dying during the procedure. She asked if the “Agnus Dei” from Faure‘s Requiem could be playing as she was given anesthesia; if she died, she wanted her last thought to be of the music she loved. She survived the procedure, and a year later, I was honored to participate in the performance of the Faure Requiem that she conducted. Now, when I hear that piece, I can’t help but think about her bravery.

If I had to go through what she did, I’d choose Chopin‘s Nocturne in Db. Oddly, this piece doesn’t have any significant meaning to my life. I just think that the last 16 bars (4:48 to the end) would be the perfect soundtrack for a sweet death.

This post isn’t meant to be morbid; I just want to point out how an artistic idea can grow, bloom and flourish. In chronological order:

1. Date unknown: humans or pre-humans become aware that they everyone will eventually die
2. Ancient: humans create artwork depicting death and the afterlife
3. Medieval: poetic idea of “Dance of Death” – no matter what one’s station in life is, we begin and end the same
4. 18th c.: Matthias Claudius writes the poem “Death and the Maiden”
5. 1817: Franz Schubert writes an art-song (in German, lied) using Claudius’ poem (you can hear it here)
6. 1824: Schubert writes a string quartet, whose second movement uses the same music as the art song he wrote seven years earlier

The quartet is a lengthy piece, and was written just four years before the composer died, at 32 years old. I’m not sure if he saw death dancing at his door at the time; not many of us know when, but we all know that he will.

https://www.youtube.com/watch?v=5NKEHosQf2k

7. afterthought – 1971, George Crumb‘s piece Black Angels quotes “Death and the Maiden” and freaks us all out big time.