Epic Composer Hair

April 11, 2016 at 10:30 am

This week, a post was going around Facebook about the Worst Composer Hair in History. I’m glad someone finally called out Berlioz on the hideous mop he wore on his head.

Also mentioned in the post was Rossini‘s epic comb-over. Naturally, I immediately started hearing the overture to The Italian in Algiers in my head as I inspected his unsuccessful attempt to cover his shiny bald head. Fortunately for him, he also had an epic knack for writing melodies that are exciting, lyric, and most importantly, memorable – an honor which arguably makes him the most-borrowed-from-composer of Looney Tunes.

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Spring is Sprung

March 20, 2016 at 10:00 am

I guess I have to post the quintessential spring piece.

Antonio Vivaldi wrote a massive amount of music. Musicians tell a joke about him: did he write more than 500 concertos? No, he just wrote the same concerto 500 times. It all sounds similar, but that doesn’t make it dull – quite the contrary actually. If it weren’t good, it wouldn’t have survived 300 years!

Vivaldi’s Four Seasons are actually four violin concertos. The idea of attaching a non-musical idea (in this case, the seasons of the year) to a composition was fairly unique for the time. It was a wise move on Vivaldi’s part, because now this group of concertos are his most played work. Each concerto uses music to paint the sights, sounds, and smells of each season (Winter is a chilling storm!) To our modern ears and minds, this is a no-brainer – but in 1700, it was a little more cutting-edge. Eventually this idea (attaching a non-musical idea to a piece of music) became known as programmatic music, and is almost expected of any modern composition.

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Happy Valentine’s Day

February 14, 2016 at 10:00 am

You could celebrate the day by listening to the first two acts of Giacomo Puccini‘s La bohème. So much love, so much emotion …

On the other hand, if you’re single this Valentine’s Day (and indeed, many refer to this day as S.A.D. – Singles Awareness Day), you can enjoy the final act of this opera instead. It’s full of betrayal, misery, death – you know, the good stuff.

But for now we’ll stick with those who are celebrating the day and listen to this orgasmic duet.

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