Tetris C-music

April 20, 2016 at 11:02 am

Simply mention the hit video game Tetris to someone who has played it, and they will instantly think about the catchy music that accompanies the game. In this game, the player organizes blocks into (hopefully) organized stacks. The music of Johann Sebastian Bach is similar, in that he often takes a small musical idea (motif) and turns it into a building block out of which he builds an entire piece – much like building a house entirely out of tiny Legos.

Anyone who has played Tetris knows the main theme music (Music A), but for those more adventurous types who chose the B or C music, you might recognize the Minuet (jump to 11:35) from Bach’s French Suite in b minor. Many of the movements of this suite are built on small motivic ideas, which, when stacked correctly on top of each other, can create magnificent structures.

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A Tale of Two Jupiters – pars prima

April 14, 2016 at 10:30 am

Like my March 1 post, today and tomorrow’s music is related to gods and planets.

Today, Jupiter the planet. Well, kind of. Gustav Holst‘s famous suite for orchestra, The Planets, is titled after the heavenly bodies, but the individual movements are subtitled in a manner that makes the orbiting spheres seem more like deities. But don’t be confused; instead, enjoy one of the hilarious things about being human – our ability to reconcile two contradicting ideas. And if nothing else, you gotta love the music.

Jupiter (the planet) doesn’t seem jolly to me, nor does it seem capable of that gorgeous English march in the middle section of this piece. The planet always struck me as very sinister – the Snidely Whiplash of the solar system.

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Simple Gifts

April 12, 2016 at 11:00 am

American composer Aaron Copland‘s best-known piece (surpassing even Fanfare for the Common Man) is a set of variations on the Shaker tune “Simple Gifts,” found in his ballet Appalachian Spring.

The ballet portrays the daily life of American pioneers in Pennsylvania; while it doesn’t have much of a specific plot, it covers themes of love, religion, dance. Copland’s use of “Simple Gifts” is much more than just setting a lovely tune – the words here express our modern fascination with the life of our ancestors. Theirs was certainly much more difficult, but perhaps free from the complexities that we face.

The Shakers are a truly fascinating religious group, and I recommend reading about them. They have dwindled down to three full members and one initiate, but are fully intent on continuing their work and their beliefs. Their worship included dance, and many of their hymns, like “Simple Gifts”, include not-so-hidden dance indications (turn!)

‘Tis the gift to be simple, ’tis the gift to be free, ’tis the gift to come down where we ought to be,
and when we find ourselves in the place just right, ’twill be in the valley of love and delight.
When true simplicity is gained, to bow and to bend we shan’t be ashamed,
to turn, turn will be our delight, till by turning, turning we come ’round right.
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