A few words about Strings. Of all the modern instruments humans play, the violin family was the earliest to reach (relative) perfection of construction, around 1600. (Side note: the double bass is not in the violin family, but instead a “leftover” from the earlier viol family, and has a different tuning and body shape, among other things.) Strings are the reason we have symphony orchestras. Their range is massive, and they sound consistently good in any register. They don’t tire quickly (compared to winds or brass players), and the ear doesn’t tire of their sound. They are equally adept at slow, sustained music as they are with fast, agile passages. It’s no wonder that many composers enjoy writing for String Quartet. It’s like a completely blank canvas, or a mound of clay that can be shaped into practically anything.

I love spending Saturday mornings with a cup of tea and a String Quartet. So, here’s Beethoven‘s in C minor. Enjoy!

Quick music lesson. “Rondo” (or its spelling variants) means round.  Not round as in “row-row-row your boat”, but round as in circle. A Rondo is a musical form where you travel around in a circle – always coming back to the same point where you began.

There are tons of pieces in Rondo form. Often, the final movement of a classical symphony or piano sonata is a rondo. For today, here’s the mother of all rondos, from one of Bach‘s partitas for solo violin. The two phrase melody you hear in the first twenty seconds is the main theme – you might call it a refrain. The violin then plays something different for a bit, then returns to the refrain. Again, something new; again, refrain. Different keys, different rhythmic motifs; the refrain keeps coming back.

Rondos are very satisfying to listen to, I believe, because it satisfies two opposing desires we all have: to explore new exciting territory, and to be able to come home to something comfortable that we know.

For many people, this is a difficult month. The holidays are over, the parties have ended, and all of a sudden, we are left alone with a long, cold winter ahead of us.

People who are immune from these feelings often dislike Franz Schubert‘s great song cycle, Winterreise. To me, it brings great comfort, even validation, that others also struggle during this time of the year; we aren’t alone, and Spring will come again. I play it every year during the winter; and if you also suffer during the Winter, I hope it will bring you some peace, knowing another of the many marvelous and beautiful things that humans have created.

I came as a stranger, I leave as a stranger.
May, with its beautiful flowers, was wonderful.
She and I spoke of love, even of marriage.
But now the world is dead and bare, and the path is covered with snow.

Though not my choice, I must leave now,
and struggle to find my way in the dark.
The shadow of the moon is my only companion,
as I make my way through the cold white fields.

It’s better to leave now on my own accord, rather than be driven out later.
Let the dogs howl at me.
God has made Love fickle – she loves to wander from one to the next.
Good night, my love!

I won’t wake you; continue in your dreams.
You won’t hear a noise from me as I leave.
As I leave, I’ll write “Good Night” on the gate,
So you’ll know I continue to think of you.